![]() ![]() The D major second theme is one instance where a little less rubato would do for the sake of continuity, but the tone quality is nonetheless exquisite, putting the bel canto passage into an almost diaphanous light. If we can look past his deliberate stops and goes, what emerges is a duality of steadfastness in the louder moments and rumination in the softer ones. Discover Explore All Trending Releases List Explorer Advanced Search Contribute. ![]() Many recordings treat the opening of the Allegro Maestoso as just that – a majestic, maybe even imperturbable phrase. View credits, reviews, tracks and shop for the 2012 CD release of 'The Chopin Album' on Discogs. 28, a set of short pieces, one in each of the 24 keys. 48, No.1 Nocturne, again reflects Pogorelich’s maverick but still captivating musical choices. Songfacts®: Polish composer Frédéric Chopin wrote a number of preludes for solo piano, most famously his 24 Preludes, Op. ![]() While the articulation was a bit too dry on occasions, it does suit the march-like character (6:10 onwards), giving it an invigorating step. What I found interesting was a conscious avoidance of overpedaling throughout, which in turn spotlights Chopin’s intricate writing. The F minor cautiously creeps forward with a hint of foreboding the A-flat at 1:28 is a relieved, albeit brief arrival that quickly sinks back into mystery the D-flat at 1:57 gives warmth before leading us to a fleeting, pastel F major just moments later. It then changes to a 'lugubrious interlude' in C minor, 'with the dominant pedal never ceasing, a basso ostinato '. The prelude opens with a 'serene' theme in D. And beneath the overarching austerity, the pianist reveals several characters amongst the different tonalities. Description Measures 14 of Chopin's Prelude in D Major, Op. The opening section is solemn but pointed articulation adds movement. Pogorelich’s performance reflects what are clearly carefully considered choices, yet nothing sounds forced. 49 F minor Fantaisie is all about nuance. ![]()
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